Head of Fine Art Teaching Team, Supervisor of Master Student

Member of Chinese Artists Association, Member of Shanghai Artists Association, Member of Renaissance Society of America.

Research

Environment Art Design, History of Art and Design

Teaching

《Comparative Study on Chinese Art and Western Art》，《History of Art》《Art Modeling》

《Chinese Art Work in Culture perspectives》,《the Relationship between Culture and Plastic Art in China》

Academic and social Post

Member of Shanghai Artists Association（since 2003）

Member of Chinese Artists Association（since 2013）

Guest-professor of University of Bern (2014)

Guest-professor of Humboldt University (2016)

International Expert of the Advisory Committee for State Museum of Humboldt-Forum in Berlin.(since 2015)

Vice Director of Shanghai Xiangshan Painting and Calligraphy Society（since 2012）

Education Background

1991-1995 Art Education Department of East China Normal University, BA;

1995-1998 Art Education Department of East China Normal University, MA;

1999-2002 Chinese Language &Literature Department, East China Normal University, PH.D;

From July 2008 to June 2009, he studied art history as visiting scholar at the Institute of Art History, University Bern in Switzerland   

Work Experience

1998-2000 worked as Tutor at Tiedao University,

Since 2000 till now, College of Architecture and Urban Planning of Tongji University, Professor

Design

1.  Art Fair Tokyo 2012,Tokyo, Japan, 2015

2.  Solo exhibition, Galerie Huit, Hongkong, China, 2013

3.  Group exhibition, Konfuzius Institut an der University Hamburg, Hamburg, Germany, 2012

4.  Solo exhibition, Espace Gallery, Kyoto, Japan, 2012

5.  Solo exhibition, Espace Gallery, Nagoya, Japan, 2012

6.  Art Fair Tokyo 2012,Tokyo, Japan, 2012

Publications

[1]. Hu Wei,The Development of Thoughts of Painting during Yuan Dynasty [M], Tuan Jie Publish House, Beijing, 2010.

[2]. Hu Wei,Selected Album of Hu Wei’s Flower-bird Painting [M], Beijing, 2004.

[3]. Hu Wei,Contemporary Artists in china: Hu Wei [M], Shanghai Huabao Publish House, Shanghai, 2006.

[4]. Hu Wei,Album of Interior Mural-painting Works by Hu Wei [M], Arts Publish House of China, Guangzhou, 2006.

[5]. Hu Wei,Hu Wei(album of painting works) [M], Jiangsu Renming Publish House, Nanjing, 2012

[6]. Hu Wei,Hu Wei(album of painting works) [M], Liao Ning Fine Art Publish House, Shenyang, 2013

[7]. Hu Wei,From Giotto to Ieoh Ming Pei [M], Shanghai Calligraphy and Painting Publishing House, 2016.

[8]. Hu Wei,Without Five Colors [M], Tianjin Renmin Fine Arts Publish House,2016.

Sheril, R. D. (1956). The terrifying future: Contemplating color television. San Diego: Halstead.

Smith, J., & Peter, Q. (1992). Hairball: An intensive peek behind the surface of an enigma. Hamilton, ON: McMaster University Press.

Mcdonalds, A. (1993). Practical methods for the apprehension and sustained containment of supernatural entities. In G. L. Yeager (Ed.), Paranormal and occult studies: Case studies in application (pp. 42–64). London: OtherWorld Books.

Crackton, P. (1987). The Loonie: God's long-awaited gift to colourful pocket change? Canadian Change, 64(7), 34–37.

Rottweiler, F. T., & Beauchemin, J. L. (1987). Detroit and Narnia: Two foes on the brink of destruction. Canadian/American Studies Journal, 54, 66–146.

Henry, W. A., III. (1990, April 9). Making the grade in today's schools. Time, 135, 28-31.

Wrong, M. (2005, August 17). Misquotes are "Problematastic" says Mayor. Toronto Sol. p. 4.

Revenue Canada. (2001). Advanced gouging: Manual for employees (MP 65–347/1124). Ottawa: Minister of Immigration and Revenue.

Marlowe, P., Spade, S., & Chan, C. (2001). Detective work and the benefits of colour versus black and white [Electronic version]。Journal of Pointless Research, 11,123–124.

Contact：

Email:huwei@tongji.edu.cn